January/February 2016: Making Circular Transitions

96
 

 
Normal
0




false
false
false

EN-US
X-NONE
X-NONE

 
 
 
 
 
 
 
 
 


 
 
 
 
 
 
 
 
 
 
 


 <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="false"
DefSemiHidden="false" DefQFormat="false" DefPriority="99"
LatentStyleCount…

Being interviewed at the Awards ceremony wearing my 2012 Margiela for H&M dress with a beautiful beaded handmade butterfly necklace borrowed from Clara Francis Jewellery

2016 began with a quiet January at home, thinking about fashion textiles and circles, cycles, loops and spirals. It's all happening with the circular economy right now - and whilst this has been building for an awfully long time, it finally feels as if some real changes are about to take place. It also feels like a lot of different projects are finally coming together...

Towards Global Change

Since last summer I have been on the judging panel for the H&M Conscious Foundation Global Change Awards. Just before I went to India I submitted my final selection of five winners, and was so pleased to see that when I got back 4 out of the 5 right had made it into the final line up! The winners spanned new fibres - made from paper, textile and citrus fruit waste, as well as algae - and microbes that eat polyester enabling new yarn to be created. There was also a concept for an online platform that connected textile waste from industry to potential users. (This was my favourite - it's too easy to forget that we need more systems designed to aid the flow of existing resources, as well as the invention of new materials). 

The award ceremony was a two-day extravaganza in Stockholm, with event at KTH and the Town Hall. The stair case that the winners came down is the one that the Nobel Prize winners come down. Watch the film below to see the winners ceremony. They were a great group of entrepreneurs - it was so exciting to see their ideas get this attention and support.

The keynote speaker for the award ceremony was David Roberts, from Singularity University (also a decorated Special Agent). I have great reservations about the massive investment in technology that goes across around the world, when problems seem to be so much about people, politics and broken systems. But his talk was really enlightening - I was thrilled to hear about exponential growth and technologies coming online, especially the projections he showed around solar power. (He succinctly explained the dip we experience early on with new technologies, where after an initial excitement we begin to doubt them). He brings the talk to a conclusion by showing us two animal films from You Tube, which echo his points about human nature. By joining together in collective action we are strong enough to remove danger from our community. (Oh, and, cat's are mean...) I am not how well he relates exponential growth and the power of the bystander - it seems to hang in the air at the end. But watch the talk below and decide for yourself.

96
 

 
Normal
0




false
false
false

EN-US
X-NONE
X-NONE

 
 
 
 
 
 
 
 
 


 
 
 
 
 
 
 
 
 
 
 


 <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="false"
DefSemiHidden="false" DefQFormat="false" DefPriority="99"
LatentStyleCount…

The judging panel in conversation on stage at Stockholm City Hall, from left: Ellis Rubenstein, CEO of New York Academy of Sciences; Amber Valetta, entrepreneur and activist; Professor Michael Braungart, co-author of Cradle-to-Cradle; Professor Johan Rockstrom, Stockholm Resilience Centre; and me...

Meeting the other judges and Jo Confino (ex Guardian now Huffington Post) was super interesting. I enjoyed the company and conversation of Ellis Rubenstein from NYAS very much. Also Michael Braungart (C2C) and Friederike von Wedel-Parlow (ESMOD), and the great dinner chat whilst seated next to Karl-Johan Persson. I nipped out between the seven vegetarian courses to record this little podcast... with Natalia. (I come in after 23 minutes.)

Can't finish this report without highlighting the overall winners - by public vote - our Trash 2 Cash collaborators, VTT! Congratulations to them for putting their ideas out there to multiple funders and really pushing their material innovations.

Watch the winners interviews here

Watch the winners interviews here

Fast Talking, Hybrid Style

Before all the excitement with the awards kicked off I gave a short 8-minute pitch at Mode Hybrid, Hybrid Talks. Hosted by Mistra Future Fashion, Misum, and Stockholm School of Economics, these micro talks focus on the collaborative potential of 'science fiction, to science fact to science fabulous'! (To quote the dynamic founder of Hybrid, Annika Shelley!)

You can listen to my Hybrid talk by clicking play below. (It's a bit rushed at the end... I didn't go fast enough, ironically!)

Hybrid Talking with Martin Johnson (left), Eduardo Escobedo, Susy Paisley and Annika Shelley

Hybrid Talking with Martin Johnson (left), Eduardo Escobedo, Susy Paisley and Annika Shelley

As Hybrid drinks came to an end I did this TV interview below. Fashionomics 2 was a conversation around sustainability hosted by Ulf Skarin, Creative Director at the Veckans Affärer and Elin Frendberg, CEO of the Swedish Fashion Council with Eduardo Escobedo, Founder of the RESP – an organisation that brings together luxury brands and sustainability, and Annika Shelly, Founder of Hybrid Talks.

Interview for Swedish Business magazine Veckans Affärer on 2016-02-18.

Stockholm Shirts: Making Change

When not TALKING, I am happy to be quietly thinking, making and writing. Whilst I love to talk (I think you realise that after the above!) the pleasure of silently making is essential to thinking clearly. Without making things, and writing ideas down, the whole process just isn't complete. Whilst I used to rely on making alone to research ideas, I am now fully signed up to the rich experience of being an academic who uses many forms of exploration. It's not just making, writing and presenting/talking. It's also exhibition curation and film/animation script writing. When these approaches all work together, I find myself more able to deal with the complexity of sustainability, and hold on to the pleasure of creativity, whilst also finding ways to build communities and audiences.

For this Stockholm trip, I took a day to work into some second hand H&M shirts I had collected from Sweden. I used an old lace dress I found in Anxi Clothing Market in Shanghai in 2013, to create a heat photogram image on the polyester shirts. The mix of Chinese clothing and H&M product enabled me to think more about the disconnect between fashion textile designers and consumers and the industrial manufacturing processes inherent in speedy clothing lines. I am not unaware of H&M production being amongst the fastest in the world - I have questioned them about this myself. They believe in working in emerging economies to contribute to growth there with their business, and to do that in the best ways possible. They argue if they weren't producing there, things would be much worse for the local economies and lifestyles.

The Stockholm Shirts are about continuing to think about how big business can use textile design approaches to create sustainable social innovation production models.

Making the print template for the Stockholm Shirts from a Chinese lace dress found in Shanghai

Making the print template for the Stockholm Shirts from a Chinese lace dress found in Shanghai

Stockholm Shirts, February 2016

Stockholm Shirts, February 2016

Circular Transitions Conference

Finally, for this first post of 2016, I want to flag up our our Mistra Future Fashion Circular Transitions conference in November 2016, at Tate Britain. It has been years in the planning, so we are excited to have the chance to get the world's design researchers together for two days to fully explore fashion textile design and the emerging circular economy. Abstracts are due in to us by 25th March 2016, so get your ideas together and come and join us for what promises to be a really valuable experience for a wide range of stakeholders - you, the trustees of the future of design and circular fashion textiles...

Previous
Previous

April 2016: Flourishing Fashion - Working Together to Complete the Circle

Next
Next

Weeks 47 - 52: End to a Year of No New Clothes